Photojournal
- 3 June
2005
Wide
open at the Golden
The 3rd of June was
a Friday. My last entry was from Sunday, the 29th of May. On the
Tuesday inbetween, I had a topsy-turvy day.
It started out disappointing.
In the morning, I had gone to Iona beach to look for a Lark Sparrow
that had been reported there. It was raining and bleak outside,
and I got stuck in really bad traffic. After all the time it took
to get to the beach, I found pretty much nothing to take photos
of. So I had gone out and got cold and wet and sniffly while the
birds were probably doing something sensible like staying indoors
and sipping hot chocolate.
Later, things perked
up. After I made it back home, the mailman rang my bell and delivered
a nice new shiny lens. I had liked the wide end of my new 24-120mm
so much that I ordered something with an even wider angle: a 12-24mm.
(Note to photographers: my camera has a 1.5 crop factor, so this
is like a 18-36mm on a normal 35mm camera.) I put the lens on
my camera and took a few photos.
Then disaster struck.
I was loading these photos into my photo cataloging program when
that program crashed, destroying the catalog that it keeps. My
catalog is where I record the place where each photo was taken,
what is in the photo (generally broken down by species, if possible),
how good the photo is, and several other pieces of information.
Constructing the catalog entries for all of my photos is the unpleasant
part of my photography and photojournal work.
My last backup was
two weeks previous. I had lost two weeks' work. And, since I had
been on medical leave (and still was), it was two weeks' worth
of full-time work. I was severely bummed out at the prospect of
having to redo all of it.
But redo it I did,
and so I didn't allow much time for getting out into the field
over the next week or so. (Thankfully, it was quicker to do the
cataloging the second time around.) So that's why it wasn't until
Friday that I really tested out my new lens.
I had my camera with
me when I decided to pay a visit to the Golden Pita for lunch.
The Golden, as I sometimes call it, is my usual Saturday lunchtime
haunt, but I've gone through a few periods where it was pretty
much an everyday place. Now that I work in Surrey rather than
in Burnaby, though, it's too far out of the way for everyday.
Anyhow, with the new
wide-angle lens open as wide as it will go, I could stand in front
of the counter and get a picture showing most of the setup that
they have there.
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There's actually another
one of these glass-covered metal counters to the right, where
they keep the cooked foods. This one is for the cold foodcondiments,
vegetables, and salads.
That's my friend Rami
behind the counter; he's the son of my other friends Roy and Salma,
the proprietors. Rami may take over the business, or part of it,
one day. Or maybe his sisters will. It'd sure be nice to see it
stay in their family; they're all such good people.
Rami was refilling
the grape leaves. The grape leaves normally reside in that empty
square in the second row from the left. Here he's explaining that
refilling the grape leaves is a detailed and important procedure.
First, you've really gotta know what you're gonna do.
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You have to get psyched.
Concentrate on the task at hand. But don't forget to put love
into what you're doing.
And you can just see
the love he has here, how he's gazing fondly at that grape leaf.
I can understand, too; I feel the same way about them. Those things
are precious.
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But having
love for what you do doesn't mean that you aren't fast. |
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The new lens had proven
great for these shots; it gets a lot of subject matter in, even
where there are tight quarters.
I put down my camera
and had the Friday special, beef tenderloin (Shawarma), for lunch.
It was fabulous, as usual. Afterwards, I headed home to try the
lens out outdoors. Here I got a shot of more-than-the-usual-amount
of the lagoon in the courtyard where I live.
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After taking
a few lagoon shots, I headed across the street to the train yard.
There I worked with both of my new lenses. Here's a couple of shots
showing the difference between the widest settings on the two lenses.
This shot was made with the 24-120mm lens, set at 24mm. |
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And here's
a similar shot, from slightly closer, using the 12mm end of the
12-24mm. As you can see, 12mm is much wider than 24. You
can get those dramatic perspective lines even from a medium distance
with the 12mm. |
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And when
you get real close to something, like the boxcar below, you can
make it even more dramatic. Here I've got both a close subject and
a vanishing point in the photo. Pretty neat, if you ask me. |
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Just for
contrast, here's a typical shot taken with a medium focal distance
(55mm, using the 24-120mm zoom). Of course, here I'm trying to not
get any perspective convergence at all. |
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The next photo is another
vanishing-point shot with the wide-angle set to 12mm. (Actually,
this is a slight crop, and the original is a little wider still.)
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I'm not normally good
at remembering random strings of digits, but the 421905 on that
rail carrier just seemed too familiar. I checked when I got home,
and sure enough, it was the same rail carrier that I had taken
a photo of at Colony Farm Park a week before (see the first photo
of my Photojournal entry from
the 28th of May). Fifteen kilometers and a week away, the
same rail car. It had liked me so much that it came to visit;
I was quite flattered.
I'll end here with
one more wide-angle test shot, this one in a vertical format.
It's the same Atlantic & Western boxcar that started my photos
in the yard that day. I love old, rusty industrial stuff.
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Atlantic and Western
is one of two or three rail companies that I can always count
on for some good rust. The Soo Line is another, and sometimes
Illinois Central. All their cars may not be rusty, and there are
probably lots of other companies with rusty cars, but those are
the ones whose rusty cars often end up in my local yard. For that,
I thank them.
Always happy to go
to the Golden,
Tom
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